Author measures memoir’s potential impacts on readers with eating disorders

When Emily Troscianko finished writing a memoir about anorexia and recovery, she was concerned it might do more harm than good — afterall, her own research in the realms of health humanities and cognitive literary studies had shown that readers with eating disorders are often triggered by such narratives. So she tested her own book before deciding whether to publish it.

With collaborators Rocío Riestra-Camacho and James Carney, Troscianko — who is a visiting scholar in the Literature and Mind program at UC Santa Barbara and it’s Trauma-Informed Pedagogy project — ran an experiment with more than 60 readers, assessing the severity of their eating disorder and their attitudes about their illness before and after reading the book, “The Very Hungry Anorexic.” 

“If reading the memoir did harm beyond a pre-registered level, the book would not be published,” said Troscianko (pictured), a research associate at The Oxford Research Centre in the Humanities (TORCH). Her book passed the test; the details of the team’s test study were recently published in the Journal of Eating Disorders.

Image
photograph of Emily Troscianko

“The methods and findings generate some important questions and answers regarding authorial responsibility, the positive and negative health effects that can result from narrative reading, and the interplay of academic research with personal and professional priorities,” Troscianko said. 

 

Tags
Media Contact
Keith Hamm
Social Sciences, Humanities & Fine Arts Writer
(805) 893-2191
keithhamm@ucsb.edu

Share this article

FacebookXShare

What's Current

Image
Leah Stokes on a chair holding a plant
Photo Credit
Matt Perko
UC Santa Barbara associate professor Leah Stokes researches public policy, public opinion and political behavior, with a focus on energy, environment and climate change.
Image
A surreal painting by Taeko Tomiyama featuring masked and costumed figures in an underwater-like setting. Human, animal, and mythical characters emerge from a dark, marine background with coral, fish, and a large nautilus.
Photo Credit
Jeff Liang
Tomiyama Taeko, "Theater Beneath the Sea, 'Splendid Banquet for the Empire,'" detail, 2008, oil on canvas, gift of Sakata Natsume in memory of her mother Tomiyama Taeko, Art, Design & Architecture Museum, UC Santa Barbara.
Image
Meghan Morrissey behind lab equipment.
Photo Credit
Matt Perko
Meghan Morrissey